Visual Histories of Canadian Aid to Refugees Abroad:
A Virtual Exhibition
Pictures of refugees and displaced persons have been crucial to the successes and failures of campaigns of modern humanitarian aid. They set the tone of global relations, emphasizing solidarity, inequality, prejudice or justice. Why do images attract public attention? Have they changed? Have the ethics, sensitivity, capacity for outrage and sympathy evolved? Have the methods of photographers changed? How have NGOs navigated the pitfalls of the “limits of empathy and the pornography of suffering”? Is the public more critical? cynical? fatigued?
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